The first thing my son Ashu said while giving me his copy of The Palace of Illusion was: "I wish somebody would make a movie of it."
After having read it, I couldn't agree less.
While there's plenty of spectacle, action and drama in Chitra Banerjee Devakaruni's novelisation of The Mahabharata - in other words, what a shrewd filmmaker looks for in a novel before deciding to make a movie of it - most of it "happens" in Draupadi's mind. How do you show it except, maybe, using the current by-now already clichéd device of switching to (say) black and white footage from full colour to depict what she "saw" in her mind's eye?
Not good enough, if you ask me.
While the event horizon of the novel broadly resembles the Vyasa epic's, Devakaruni's reference point seems more in the vicinity of Dr Irawati Karve's Yuganta: The end of an epoch. She mentioned it as one of her secondary sources in a recent Sunday Mid-day interview. Chapter 7 of Yuganta, by the way, is about Mayasabah, "The Palace of Maya".
The closest a movie can come to a book is by suggesting instead of actually showing. Alfred Hitchcock knew this well. He never forgot the unique movie screen and projector each one of us possesses. His was the conjuror's art.
This is the kind of stuff The Palace of Illusion and The Mistress of Spices are made of. When you read them, you can run your own movie in the privacy of your mind.
Just after I started reading The Palace of Illusion, I thought it was a bit overwritten. I changed my mind on that score soon enough. In fact, whenever push came to shove, I found Devakaruni at her deftest. She knows her craft really, really well. She knows when not to overdo it. She is the Mistress of Spices. And, of Illusions. She is the supreme sorceress of subtlety when it comes to story-telling. Draupadi's swayamwar, her disrobing, the 18-day war and its aftermath are all written with great restraint using the power of suggestion.
The Palace of Illusion, a Vyasa redux in one sense, makes light even of its load of Advaita sagacity. Try to remember that you are the instrument and I the doer, Krishna, her platonic boy friend, tells Panchaali when he comes to help her soul's final journey.
(By the way, I owe the Krishna="boy friend" equation to Dr Irawati Karve's Marathi eponymous essay written in 1970, the year of her death. She described how her son-in-law called Vithoba of Pandharpur her "boy friend" once after her return from her journey there. http://tinyurl.com/5h2tvq. It puzzled her first, she writes. On reflection, she found the descriptive tag appropriate. After all, had Vithoba (an incarnation of Vishu) not been called "mother", "father", "companion", "relative", "sweetheart" and the like? So what was wrong with "boy friend"?)
Earlier, when told to confirm if Sikhandi's narration of his past is true, Krishna says: “He believes it to be so. Isn’t that what truth is? The force of a person’s believing seeps into those around him – into the very earth and air and water – until there’s nothing else.”
In reply to Panchaali's final query Are you truly divine?, he laughingly replies: "Yes, I am. You are, too, you know!"
No drum roll. No trumpets. The world is maya after all.
Got it?
P.S.: Devakaruni's feminist and pacifist concerns make their presence felt throughout, though. For instance, the initiative taken by the women of the Pandava clan as well as Gandhari to rehabilitate the widows of the war is strongly reminiscent of Maitri, the helpline for Asian women in abusive situations that she established in 1991.
Afterthought: Avantika, 15, Ashu's younger daughter, a Digital Native from New Jersey, a good writer for her age but a lazy and reluctant reader, was given the first option on The Palace of Illusion by her dad before it was passed on to me. I hope she decides to read it someday soon.
Showing posts with label Ashutosh. Show all posts
Showing posts with label Ashutosh. Show all posts
Friday, September 05, 2008
Monday, June 30, 2008
Privileged, who me?
I have more than a sneaking suspicion that I saw myself as a member of the privileged class in my childhood. No, I did not know the exact phrase for the state I imagined myself to be in. The reasons for this self-delusion were simple. I was waited upon by a couple of servants, one of them an old family retainer. We had a car. http://tinyurl.com/4m58jq. Not many others we knew had one. We took an annual summer holiday either in Matheran or Mahabaleshwar. http://tinyurl.com/4wljxg. We also used to go occasionally to Pune, sometimes staying at the Morarjee Gokuldas Sanitarium opposite the Pune Railway Station and eating out at Dorabjee's and the Railway Restaurant managed by Brandons. http://digbig.com/4xsxf. Our train travel was by first or second class in a reserved coupé. We lived in a fairly spacious terrace flat at 233 Khetwadi Main Road. http://tinyurl.com/48tnw4. I did not attend a posh school, though, like Ashu and Abhi. My first school was bottom of the barrel. The second one was fairly respectable. We ate and dressed well. We owned a gramaphone to play 78 rpm discs http://tinyurl.com/5t6cxx and a Bush radio http://tinyurl.com/4ndw75. I had plenty of toys to amuse myself with http://tinyurl.com/4grxkp. We went to see a fair number of movies and plays. The illusion of living a privileged life stayed with me till the time I joined the Forward Market Commission on a measly salary of Rs.400/- a month after doing my Master of Commerce by thesis. http://tinyurl.com/6cbkte; http://tinyurl.com/6qt87g. By and by, however, the scales fell from my eyes, as Pelham ("Plum") Grenville Wodehouse would have succinctly put it. What I should have realised is the so-called privileged status is ephemeral, like everything else in this world. Truman Capote would have most likely understood. http://tinyurl.com/64laor.
Friday, May 25, 2007
Birthday bumps.
1963, come to think of it, was quite an eventful year. JFK, CS Lewis and Aldous Huxley all exited the world on 22 November. Six months before that simulti-exit, 233 Khetwadi Main Road welcomed Ashutosh among the Mankars. On 25 May, also the birthday of the living Advaita teacher, Ramesh Balsekar, to be exact. A bonny and pink baby, Ashu was an instant darling of all the nurses in the maternity ward on the then top floor at the northwest corner of Sir Harkisondas Narottamdas Hospital which used to be our landlords at the time. (Please read an earlier story about the Hospital here: http://popgoestheslop.blogspot.com/2006/07/morgue.html.) Abhijeet was born 15 months later in the same Hospital. My father, who loved babies, used to sing to both of them and they would fall asleep listening to him on a four-foster ancient bed, a Mankar family heirloom. I remember my father once weeping loudly when Ashu fell off the edge of the dining table where he was perched laughing uproariously at something. He bumped his head and I guess he was so zapped both from the fall and my father’s crying that he forgot to cry himself. I also remember Ujwal, as exemplary a mother and daughter-in-law (she single-handedly nursed my mother through her final illness) as she is a teacher, comforting both of them. Speaking of falls, I also distinctly recall that when Ashu was still an infant, I slipped down the staircase of a holiday place in Pune we went to with Ujwal’s parents with him cradled in my arms. It could have been a major disaster had I not managed to twist and turn, break the stumble and take the fall on my shoulder. Luckily, nobody was the worse for wear. As tiny tots, Ashu and Abhi used to sit on their respective potties, red and crome yellow, and have long chats under Ujwal’s watchful eye. I was the world’s worst father, absentee to boot and more wedded to work, I’m afraid. Even Homer Simpson would come out with flying colours in comparison, I daresay. The Mankars owed their existence and continuance to Ujwal. Another memory is the time when Ashu used my razor to cut himself on the face claiming that he was “shaving, na”. Once around noon, Ujwal got called by the Principal of Cathedral & John Cannon School. When she rushed to her office, she found Ashu sitting on her table quietly sobbing but absorbed in drawing a picture. The front of his white shirt, she noticed, was all covered in blood. He had a gash on his forehead acquired from a fall while playing in the lunch break. The bleeding had stopped thanks to ice compresses but the wound had turned stark white. Come evening, Ujwal ferried him to Dr. Talwalkar, a well-known pediatrician and the father of Ashu’s classmate, Mark. He used to have his rooms on Lamington Road, fifteen minutes from 233 Khetwadi Main Road. He examined the wound, applied some disinfectant and medicine and asked Ujwal to hold the edges tightly together while he slapped a tape on it. No stitches, thank you. The scar gradually faded away with the passing years. As a child, Ashu used to be generous to a fault, wanting to bring home every sobbing kid whose mother was late in fetching him after school. So he and Ujwal would stand vigil until the defaulting mom turned up apologizing profusely. Ashu was also very intense about what he did. Once while, we were holidaying in Matheran, he went with Shantaram who used to stay and study with us to the bazaar. When they failed to return for more than hour, Ujwal was worried. When they finally arrived, Shantaram explained that the delay had been because Ashu insisted on bowing down to every road marker insisting that it was a deity. Ashu would always run out of his stock of pencils before it was supposed to get over and then ask Abhi, the hoarder, for one. Abhi would always rise to the occasion although a bit grudgingly. Nonetheless, they were brothers in arms and would rise to each other’s defence if one of them was being disciplined. Abhi who started staying with his grandmother, Jubie http://popgoestheslop.blogspot.com/2006/06/story-of-jubie-as-told-by-tika.html, became interested in cars and motorbikes quite early in life. Once, the fool that I was, I denied him permission to enter into a Mumbai-Pune bicycle race. My self-justification was that I was thinking of his safety. Ashu and Abhi had a large circle of friends. They all used to come home and Ujwal would feed them puri-bhaji or oodles of idli-sambhar. To their and Ujwal’s credit, both Ashu and Abhi passed high school with good grades without tutoring unlike me (I had a tutor throughout my school years). After Cathedral, they managed to get admitted to good colleges – Ashu in St Xavier’s and later in the Pune Univ and Abhi in Rachana Academy of Architecture and later in the Joliet School in Illinois (yes, the very same Joliet, boys and girls, in the closed State Prison of which the first season of Prison Break was shot) – all on their own steam. So, the birthday boy’s day has brought out quite a flood of memories, eh? Well, well, well. Many happy returns, Ashu. The Chinese Astrology book says you’re The Cat while I’m The Rat. Hmmm. Interesting coincidence, wouldn’t you say?
Labels:
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Monday, May 22, 2006
Thank you for not reading. (With apologies to Dubravka Ugresic.)
Is reading uncool? One Mumbai cabdriver probably thought so without giving the matter much thought, I guess. He lost the opportunity of a lifetime. He had in his hands for a couple of days a diary containing the unlisted telephone numbers of Hrithik Roshan and Salman Khan among others. He could have easily hawked them to fans for thousands of rupees. The VIP whose diary – her ‘lifeline’, a mine of normally unobtainable info – happened to be left behind in that unfortunate cabdriver’s cab one Sunday afternoon was lucky. She got a cabdriver who thought reading was uncool and, as a result, she got her precious treasure trove back. HR and SK were spared the trouble and the expense of changing their unlisted telephone numbers. The cabdriver’s son who delivered the prodigal diary did claim a couple of hundred bucks by way of transportation – and reward for honesty, I suppose. But look at it this way. The cabdriver did read her address on the flyleaf. Else, the diary would never have come home. But obviously that was about the only stuff he bothered to read. No curiosity, no reward, what? My son Ashu who was in Mumbai briefly told me both his daughters, Aditi and Avantika, seem to think reading is uncool. That surprised me no end because both of them write well, far better than many of their peers. (P.S.: In my book, if reading is uncool, so is writing. Evidently, they and I don’t read the same stuff, huh? ) Seems kind of logical, though, since they live in the US of A where the National Endowment for the Arts uncovered “a precipitous downward trend in book reading” – despite the much-hyped Oprah Book Club helping to push millions of books. The NEA senses "an imminent cultural crisis" and predicts: "At the current rate of loss, literary reading as a leisure activity will virtually disappear in half a century." Aditi and Avantika head the trendsetters. Let’s hope pretty soon they’re not at a loss for words. http://seattlepi.nwsource.com/books/181442_reading09.html. Review summaries of Dubravka Ugresic’s Thank You For Not Reading: http://www.complete-review.com/reviews/ugresicd/thankyou.htm#summaries. (Irony of irony: Aditi and Avantika’s mom, Nandini, got me a copy of Thank You For Not Reading on her last visit to Mumbai a couple of years back. )
STOP PRESS: To read Alchemy, one of the 33 pieces from Dubravka Ugresic’s Thank You for Not Reading: Essays in Literary Trivia, go here: http://www.centerforbookculture.org/context/no13/Alchemy. Quotable quote: “The transmutation of shit into gold is nevertheless no simple thing, for if it were we would all be rich. You need institutions, galleries, media, a market, publicity, interpreters (those who will explain the meaning of the artistic gesture), promoters, art dealers, critics and, of course, consumers. Even when the shit is well packaged there is no guarantee that the transmutation will succeed.”
STOP PRESS: To read Alchemy, one of the 33 pieces from Dubravka Ugresic’s Thank You for Not Reading: Essays in Literary Trivia, go here: http://www.centerforbookculture.org/context/no13/Alchemy. Quotable quote: “The transmutation of shit into gold is nevertheless no simple thing, for if it were we would all be rich. You need institutions, galleries, media, a market, publicity, interpreters (those who will explain the meaning of the artistic gesture), promoters, art dealers, critics and, of course, consumers. Even when the shit is well packaged there is no guarantee that the transmutation will succeed.”
Labels:
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Ophra Book Club,
Phone Book,
Reading,
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Telephone Numbers,
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Thursday, May 04, 2006
Full Marx.
In late August 2006, I got a set of eight Marx Brothers DVDs as a birthday gift from my son Ashu who works and lives in New Jersey. Watching them made me look for my copy of a book by Joe Adamson (Groucho, Harpo, Chico and Sometimes Zeppo). I had bought it years back in Delhi and absent-mindedly tucked it in one of my cabinets. Written with great wit and charm, it’s a wonderful narrative woven around the Brothers’ career on stage, screen, radio and television. Sample extracts: http://users.pandora.be/mx/adamson.htm and http://www.geocities.com/spazprez/cfaust.html. Read them and decide for yourself.
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