Wee Bonnie Scotland.

Sir Isaac Pitman and I are old nodding acquaintances. It transpired thus. Smack after the conclusion of my Secondary School Certificate finals in March 1952, I enrolled at the Abhyankar Typing & Shorthand Institute situated bang next to the Rammohan High School at Prarthana Samaj. This much respected institution of that time happened to be within walking distance of 233 Khetwadi Main Road in South Mumbai where the Mankars used to reside at that point in my existential timeline. http://bit.ly/48tnw4. I had joined Abhyankar’s in order to learn touch typing to make up for my atrocious handwriting. The sacrilegious thought of trespassing into the venerated Pitman territory had never crossed my mind. Shorthand used to be all the rage among the young people then, particularly among girls because it was seen as a handy doorway – almost an open sesame − into the job market. The reason why I thought of Sir Isaac now is the late Ms Molly Weir, Miss Bonnie Scotland’s real- life avatar. Till the time I met Molly in print, the only Bonnie Scotland I had heard of was the eponymous Laurel and Hardy comedy http://bit.ly/N4c6ot.  I saw the hilarious movie as a child at the old Metro Cinema, a familiar Dhobi Talao landmark. To cut a long digression short, I picked a copy of Molly Weir’s Trilogy of Scottish Childhood (Diamond Books, London, 1988) at a sale in the Sunderabai Hall fairly recently. The book that I consider as perhaps the best autobiography I’ve ever read cost me a pittance: no more than a measly Rs.50/-. Molly, the bonnie Glasgow lassie, was a self-confessed whiz at Pitman’s shorthand. She toured all over Scotland as the Pitman brand ambassador in order to popularise the training course by giving live speed demos without receiving a single farthing by way of remuneration for her work. One of the most endearing things about Molly’s memoirs is her detailed description of the lengths she and her family would go to just to save a penny or two. That, I guess, gladdened my Third World soul. So also did the description of the way they had to tighten the belt in the World War II rationing regime. Then again, her chitchat about her tramcaur journeys downtown and elsewhere in Glasgow too touched a chord in my memory of things past. http://bit.ly/NjclbB. Molly’s most appealing characteristic as a writer, to my old-school way of thinking, is her self-deprecation, her humility, her modesty, and not the least her reticence in describing certain major events centring on herself. For instance, she describes in telling details the celebration of the wedding of her aunt but glosses over her own wedding with a sentence or two. Similarly, all through her courtship by her beau, she refrains from providing us with the details, even his name. Her autobiography gives ample scope for her humanity, her candour and her wry – at times, droll − sense of humour. It’s refreshing to meet someone who calls a spade a spade, doesn’t have a swollen head and misses no chance to laugh at her own foibles. For the record, Molly started her working life as a steno-typist, took part in amateur dramatics on the side and ultimately made a breakthrough to become a renowned BBC regular as well as an acting professional in British theatre and cinema. I sure would love to read the rest of her autobiography. 

Sounds like…

Memories come in all shapes and sizes. Some are sights. Some are smells. Others are sounds. One of my most distinct aural memory is the almost unearthly “uulfeemalaay” cry of the kulfi vendor who went down the Khetwadi Main Road on his nightly round around nine o’clock. His creamy kulfi used to come in little aluminum cones the mouth of which was sealed with a seal made out of dough. A little later, a fakir would go on his alms collection round. Strangely enough, I could hear him approaching and retreating but never stopping to receive alms. He must have been a Sufi or a Kabirpanthi, judging from the fact that he used to sing a doha (hymn) of Kabir, the weaver saint who lived between 1398 and 1518. http://en.wikipedia.org/wiki/Kabir. (I knew it was Kabir’s poetry because I grew up listening to my father singing it.) Then there was the sound of a hack Victoria clop-clop-clopping along our road in the dead of the night. If it was coming from the Charni Road and going eastwards, I would start hearing it in my bed as soon as it approached the Girgaum Police Court. Then as it took the right turn at the corner, the pitch of the clop-clop would rise, reach a crescendo as it passed our house – the third house on the right – and then start receding as it drew away out of my aural range. Sometimes, I would wake up suddenly around midnight just when the 9-30 film show at the Krishna Talkies (later renamed Dreamland soon after 15 August 1947) got over. There would be a lot of approaching sounds – people talking and laughing raucously, hack victorias clopping along, stragglers waiting at the corner for the last tramcar that would arrive soon and clatter along the Charni Road on its last journey of the day – all of which eventually would die down. Then all I could hear no matter how much I strained my ears was the deafening sound of silence.