Showing posts with label Maheshwari. Show all posts
Showing posts with label Maheshwari. Show all posts

Thursday, April 16, 2009

The family priest.

At the thread ceremony we attended on Wednesday last http://digbig.com/4ypqy I saw at close quarters the presiding priest. He looked like a benevolent version of the first family priest at 233 Khetwadi Main Road. http://digbig.com/4xyxy. Our first family priest, hailed from Telangana (now Andhra Pradesh and a hotbed of Maoists and Naxalites), just like the presiding priest at the thread ceremony. My mother http://digbig.com/4yppp used to call him Shambha (Samba?) Bhatji. So he must have been named Shambhu after Lord Shiva. He was quite a jolly fellow, though bald and fierce-looking. I can hear inside my head the refrain of a mantra that used to be chanted at the fairly frequent Laghurudra puja commissioned by my mother. “Padma hastey sugandhe, sugandhe, padma hastey” which has something to do with the floral aroma wafting from lotus hands, I reckon. There used to be several priests chanting the mantra. They were divided into two teams and after one team finished chanting a verse, the other team would take up the refrain and so on and so forth. It was quite an enjoyable performance. Shambha Bhatji stopped coming one fine day and was replaced by his younger brother, Balkrishna Bhatji who used to earlier accompany him from time to time. I remember Balkrishna Bhatji telling me with his eyes closed and after silent chanting of some mantra (I presume) that I would do well in the exam I was about to write. He was later on succeeded by his son Datta Bhatji who and, after him, his son used to also preside at the temple of the Mankar family deity, Maheshwari, in Navi Wadi. http://tinyurl.com/4grxkp. Neither he nor his son is attending the shrine now. I lost track of them a few years back.

Thursday, September 18, 2008

Breaking "news".

Your correspondent has been boring you to distraction for quite a while with the Chronicles of The Mankars at 233 Khetwadi Main Road http://tinyurl.com/48tnw4. Now he has some "news" for you to get all breathless in Bombay (now Mumbai) about. It concerns the conquest of the Fort of Baçaim (later Bassein, now Vasai) by Chimaji Appa, a Maratha (Peshwa) General in February 1739. In the success of this expedition, Khanduji Mankar, a Pathare (Pratihar) Prabhu, and Antaji Kawale, a Yajurvedi Brahmin, were believed to have played a pivotal though unspecified role. The latter was even promised the jagir of Malad but, after Bajirao I's and Chimaji's death, the new Peshwa reneged on the promise and made life miserable for the Yajurvedi Brahmins and their associates, the Pathare Prabhus. The latter community migrated to Bombay and joined the service of the Company.

In Chapter 6 of Madame Helena Patrovna Blavatsky's From the Caves and Jungles of Hindostan (1879-80) http://tinyurl.com/5l3zb7, she wrote about visiting a Patara Prabhu household in the Bombay Presidency for an evening meal on a Monday (probably a shrawan Monday). A vegetarian menu, including panchamrit, a favourite of Ashu's usually included in a Pathare Prabhu marriage feast, was mentioned. According to her host, Sham Rao Bhaunathji, the Pathare Prabhus were Kshatriyas (warriors) and direct dscendents of Ashvapati (700 BC), a lineal descendent of Rama. Ashvapati was cursed, because of an unintended lapse, by Sage Bhrigu that all his progeny would perish. He, however, managed to get a part reprieve from the Sage and the Pataras became the Patans (the fallen ones) but did not entirely disappear from the face of the earth. She writes about how their current generation was living "by their pens" which is to say "occupying all the small Government posts in the Bombay Presidency, and so being dangerous rivals of the Bengali Babus since the time of British rule. In Bombay the Patan clerks reach the considerable figure of five thousand. Their complexion is darker than the complexion of Konkan Brahmans, but they are handsomer and brighter."

Blavatsky did not mention, indeed did not seems to be aware of, an alternative interpretation of the prefix Patan. It has been postulated http://tinyurl.com/6sacz7 that the prefix probably sprang from their hailing from Patan, Gujarat, and arriving in Bombay in the 13th Century during Raja Bhimdev's (or Bimb's) reign. Another theory by the art historian W E Gladstone Soloman http://tinyurl.com/3fnunj is that, in Marathi, Pathar means "table land" or flat land and these people occupying the plains of Rajasthan came to be known as Pathare Prabhus. Raja Bhimdev created twelve Kshatriya Lords (Prabhus) of the Solar Race with surnames like Ajinkya (= the invincible), Dhaiyarwan (= the courageous), Dharadhar (= the supporter of the earth), Dhurandhar (= the foremost), Gorakshakar (= the protector of cows), Jayakar (= the victorious), Kirtikar (= the illustrious), Kothare (= the administrator or manager of the store house/granery), Mankar (= the noble one), Nayak (= the leader), Rane (= the kingly lord) and Rao (= the noble lord). These surnames persisted even after they lost their warrior status and became minor officials under the Marathas and civilian officials under the East India Company. "If the sword had brought them glory, the pen now gave them wealth, and it is said that in the Eighteenth Century they were among the richest folk in Bombay." Around this time, the easy going and luxury loving Pathare Prabhus must have been nicknamed sokajis. http://tinyurl.com/3tx9dm. (The closest English equivalent for this tag is a bon vivant as well as a fop or a dandy.) Later in the British Raj, they held important offices in the Bombay Presidency as judges, educationist, lawyers, doctors, merchants, architects, artists and engineers. This account tallies with Blavatsky's.

In the 19th and early 20th centuries, the Pathare Prabhus were reputedly the owners of prime properties in Mumbai: in Fort, on Palav (now Girgaum Road or Jagannath Shankarseth Marg), in Navi Wadi, in Laini (now Princess Street), on Girgaum Back Road (now Vithalbhai Patel Road), in Malad, Goregaon, Bhayendar, Kashi-Mira, Uttan, Uran, Kelve Mahim (now Mahim), Chene and a large part of Khar (West). They were also supposed to have built prominent Mumbai landmarks such as the Mahalaxmi Temple, Bhau-cha-dhakka (Ferry Wharf), Gora Ram Temple, Kala Ram Temple (both in Thakurdwar close to where I stay), Prabhadevi Temple (Mahim), Shri Ram Temple (Kalbadevi) and Kirtikar Market (Dadar). The Maheshwari Temple in Navi Wadi http://tinyurl.com/4grxkp (enshrining the Mankars' family deity) is believed to have a swayambhu (spontaneously created) idol. The one trait of the Pathare Prabhus mentioned by W E Gladstone Soloman http://tinyurl.com/3fnunj (p.49 ), the composing and singing of epithalamiums during the marriage ceremony, is something I can personally vouch for. Written in flowery and hagiographic Marathi, I have heard them at several weddings sung to the tune of the mangalashtakas (mantras solemnising the nuptials).

Finally, Dr Babsaheb Ambedkar wrote in Annihilation of Caste with a Reply to Mahatma Gandhi about the Pathare Prabhu's abandoning their custom of widows remarrying as follows:"At one time the Pathare Prabhus had widow-remarriage as a custom of their caste. This custom of widow-remarriage was later on looked upon as a mark of social inferiority by some members of the caste especially because it was contrary to the custom prevalent among the Brahmins. With the object of raising status of their community some Pathare Prabhus sought to stop this practice of widow-remarriage that was prevalent in their caste. The community was divided into two camps, one for and the other against the innovation. The Peshwas took the side of those in favour of widow-remarriage and thus virtually prohibited the Pathare Prabhus from following the ways of the Brahmins." http://tinyurl.com/4dp6lc.

Time out for a personal memory before closing: At one point in her narrative, Blavatsky wrote: "At the foot of a broad, carved staircase we came across a couch or a cradle, hung from the ceiling by iron chains." This sentence reminded me of the wooden swing we used to have in the central north-south passage way in our terrace flat at 233 Khetwadi Main Road. It was rectangular with horizontal slats, made of teakwood most likely. It hung from a special beam halfway from the ceiling - I have no clue if it had been there before we moved to the flat or not, though considering that the building was originally built and owned by an Arab diamond merchant, it's more than probable that it predated us there. The swing had four brass chains. One more thing I remember about it is that it had an almost identical twin in my uncle's ground floor flat facing the Roxy Cinema http://tinyurl.com/6hfxxx where I was born. Our swing used to be my make-believe Deccan Queen. I used to play a game of Bombay to Poona on it all by myself, varying the speed and the sweep of the swing depending on whether the Queen was running on level ground or doing the ghat gradients.

Sunday, May 28, 2006

A grand old pumpkin tale.

This morning, I peeled and ate about 20 pumpkin seeds. I had saved them for drying after salvaging them from a pumpkin slice Ujwal had used to make some vegetable soup on Saturday. It brought back memories of my childhood. My mother used to give them to me ready peeled with their green covering intact. Peeling is quite a chore. Even if the outer covering is completely dry, it’s still slippery. Holding the tiny seed in your finger and trying to break and remove it takes a lot of patience. My other memory about pumpkin seeds concerns the annual fair (jatra) in Navi Wadi (literally ‘New Street’) very close to where I stay now. We used to go to visit the temple of Maheshwari, our family deity (kula devta). They used to have sweetmeat shops there where you could buy pumpkin seeds in sugar covering. It was considered quite a treat then. I wonder if it’s still available. Or, considered a treat. I also remembered a story from my childhood. It was about a bouncing pumpkin that a crafty grandmother used to save herself from a tiger and a fox. By a strange coincidence, I read it just the other day in a book for children rewritten by the renowned Marathi writer, Pralhad Keshav Atre. Delectable!